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Sharin apostolou bio 1112

Sharin Apostolou | Soprano http://sharinapostolou.com Sharin25@gmail.com (917) 214-8607 Sharin Apostolou came to the attention of the operatic world and to critical acclaim after stepping in at the last minute on opening night, replacing an ailing colleague in the title role of Handel’s Rodelinda at Portland Opera. Ms. Apostolou was lauded by the Oregonian for “her lovely, high, clear voice, and her coloratura -- the dazzlingly fast music that says "Don't mess with me" -- was exuberant…she covered the musical terrain without fear,” and by Crosscut Seattle for, “[taking] on an impossibly daunting role with fearless flair, unraveling a sweet lyric coloratura voice of real promise.” Sharin Apostolou’s recent engagements have included her Asian debut with the Macao International Music Festival as Belinda in Dido and Aeneas, her Avery Fisher Hall debut in two concerts with the National Chorale: Handel’s Alexander’s Feast paired with Mozart’s Requiem, and Handel’s Messiah; a return to Portland Opera singing Le Feu, La Princesse and Le Rossignol in Ravel’s L‘enfant et les Sortilèges and as Nannetta in Utah Opera’s Falstaff, for which the Salt Lake City Weekly said “the clarity and elegance on her few solos was mesmerizing." In the 2011-2012 season, she will sing Alinda in Giasone with Opera Omnia at Le Poisson Rouge, Susanna in an abridged version of Le nozze di Figaro as part of the Bryant Park Fall Festival, and cover Fortuna in Il Sogno di Scipione with Gotham Chamber Opera. A frequent performer of early music, Ms. Apostolou also sang the title role in Cavalli’s La Calisto with the Portland Opera and the Portland Baroque Orchestra, during which she “sparkled, using a clear and supple soprano to dash off numerous impeccable runs,” (Opera Magazine). As a Tanglewood Vocal Fellow, she made her Boston Symphony Orchestra debut in an all Baroque Program with Susan Graham, as well as performed a number of duets by Monteverdi and Carissimi as part of an evening of opera with Mark Morris. Ms. Apostolou recently sang the US premier of Johan Christian Bach’s Vaux Hall Songs with the New England Baroque Soloists, performed excerpts from both Purcell’s Harmonia Sacra and Vivaldi’s Bajazet with the Portland Opera and covered both Virtù and Valletto in L'incoronazione di Poppea at Central City Opera. Ms. Apostolou made her European debut with the International Chamber Ensemble as part of the Operafestival di Roma in a Pergolesi double bill; the soprano soloist in Stabat Mater and Serpina in Pergolesi's La serva padrona. The 2009-10 saw Ms. Apostolou’s debut with Vermont’s Green Mountain Opera festival as Adina in L’elisir d’amore and Barbarina in Le nozze di Figaro. Ms. Apostolou then joined the European tour of Mitch Sebastian’s The Opera Show, as well as performed her first Belinda in Dido and Aeneas with Opera Manhattan and Romilda in Serse with Pocket Opera New York. The summer of 2010 brought her to the Caramoor Festival under the baton of Will Crutchfield as Clotilde in Norma, as well as a performer in many of the festival’s Bel Canto at Caramoor concert series. A favorite of Portland Opera, Ms. Apostolou has also performed Ms. Wordsworth in Albert Herring, Clorinda in La Cenerentola, Frasquita in Carmen, The High Priestess in Aida, Annina in La Traviata, and Countess Ceprano in Rigoletto, while she covered Violetta, Gilda, The Governess in The Turn of the Screw, and Marzelline in Fidelio. In 2007 at Central City Opera, she sang Noémie in the youth performance of Cendrillon, and Isabelle/Madeline in The Face on the Barroom Floor, and covered Annina in The Saint of Bleecker Street under the direction of Catherine Malfitano. She also toured as Carolina in Torroba’s Luisa Fernanda with the Tulsa Opera Studio. Ms. Apostolou was a 2010 International Grand Finalist in the Competizione Dell’Opera hosted by the Semper Oper in Dresden, Germany and subsequently performed several concerts of arias with the Bremer Philharmoniker. On the American concert stage, she has appeared with the Oregon Symphony as the soprano soloist in Vaughan Williams’ Serenade to Music, the First Fairy in Mendelssohn’s A Midsummer Night’s Dream, and as Annina in excerpts from La Traviata. She’s also sung Ms. Silverpeal in The Impresario with both the Portland Chamber Orchestra and the Walla Walla Symphony, in The Pittsburgh Ballet Theater’s A Midsummer’s Night Dream, in the Fiddlesticks concerts with the Pittsburgh Symphony and in the world premier of The Lost Childhood with American Opera Projects led by Steven Osgood. At Tanglewood, Ms. Apostolou performed the Villa-Lobos's Bachianas Brasileiras No. 5 under the baton of Ken-David Mazur, the world premier of John Aylward’s Instant Conductors under the tutelage of Dawn Upshaw and John Harbison, and excerpts from the Chants D'auvergne as part of Tanglewood On Parade. Ms. Apostolou was awarded 2nd place in the 2010 Jensen foundation competition, has been a three time Metropolitan Opera National Council Regional Finalist and encouragement award winner, and has received prizes from the Shreveport Singer of the Year Competition, The National Opera Association Annual Vocal Competition, The Irene Dalis Competition of Opera San Jose, and The Eleanor Lieber Competition of Portland Opera. In 2007, she received the Young Artist of the Year award from Central City Opera. Ms. Apostolou completed her Master of Music degree at the Manhattan School of Music, where she was seen in a variety of roles including Blanche de la Force in Dialogues des Carmélites, Zemire in Spohr’s Zemire und Azor, Nora in Vaughan Williams’ Riders to the Sea, and Vera in Hoiby’s A Month in the Country. Ms. Apostolou holds a bachelor of fine arts from Carnegie Mellon University.

Source: http://www.sharinapostolou.com/uploaded/about/pdf/Sharin_Apostolou_bio_1112.pdf

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DE LA 1ère ANNEE DE MASTER pour les ETUDIANTS EN SANTE Le stage recherche de M1 est d’une durée de 8 semaines. La réalisation du stage est conditionnée par l’obtention d’une Unité d’Enseignement du master 1ère année. Il est possible de l’effectuer dès la deuxième année des études en santé. Lieux de stages Les étudiants doivent trouver eux-mêmes leur lieu de stage,

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